Word of Satan: ‘Upon human bones in catacombs I will build my temples… if they look like cemeteries it is because I am the truth and the life’. Draw your own conclusions. They say “God loves everyone” to protect the wicked: we dismantle that false mercy.

1st: They Label You a Sinner | 2nd: They Sell You Baptism | 3rd: They Keep You Sinning and Paying //53

They no longer worship my image but his’, Zeus //11

The prophecies that few know and in which almost no one believes: Rejuvenation and Immortality in prophecy. //67

The false prophet and the business of faith: ‘Fill my pockets and harvest empty promises’ //48

Luke 10:12 said, then: ‘A nobleman went to a distant country to receive a kingdom and return… But his citizens hated him and sent a delegation after him, saying: We do not want this man to reign over us. And it came to pass that, when he returned, after receiving the kingdom (he rewards with justice those who did what is right, but…), and also those enemies of mine who did not want me to reign over them, bring them here and execute them before me.’ Where does the noble king love his enemies? Just as in the parable of the wicked tenants: there is no love for the enemies of the king (Psalm 2:4). //100

Imperial representations of Michael adopt Roman military symbolism and operate as images aligned with Roman power. In that symbolic function, they resemble the ‘angel of Rome’ described in later Jewish traditions more than a figure of resistance to evil. Samael (Hebrew: Sammā’ēl, ‘Poison of God,’ understood as ‘Poison of God’ or ‘Blindness of God,’ rarely ‘Smil,’ ‘Samil,’ or ‘Samiel’) is an archangel in Talmudic and post-Talmudic tradition, described as the accuser (Ha-Satan), seducer, and destroyer (Mashhit). As guardian angel and prince of Rome, he is the archenemy of Israel (and therefore, of Michael). At the beginning of Jewish culture in Europe, Samael established himself as a representative of Christianity—the religion created by the Roman Empire to impose its evil doctrine: ‘Do not resist evil; offer (me) the other cheek’—due to his identification with Rome (precisely for that reason). //52